Photography

Photo-shop with Studio photos 

i firstly adjusted to the levels of the photo to make the photo look more sharp. 

i next changed the properties into black and white 

i played around with the colours of black and white to make her lips look quite dark compared to the rest of her face because she was wearing the a dark lip stick at the time.

i next played around with the composition of the photo and used the 'Rule of Thirds' so its not in the centre of the frame.

i changed it to the left side of the frame to see which one looks better.






















this one with Lola on the left looks better because it has more visual impact and that its off centre.

When in photo-shop i changed the exposure to make the image brighter and make the yellow jumper and red lips stand out. Exposure- +1.12 and the Offset- -0.0837

When in photo-shop i played around with the vibrance to make the image look hazy and the yellow jumper not by changing the vibrance to -98 and the saturation to +100. 

I stared playing around with Photo-shop and i have made these two photos too graphic like. i think that these would not be suitable for a photography project but maybe for a graphic project. 

Hana & Nick Editing

in reflection i found that the photos from my photo-shoot with Hana and Nick i found that they didn't come out as i wanted. i prefer the studio photos because the lighting is much better and also shows what i wanted it to portray.  

Annie Leibovitz

When Leibovitz returned to the United States in 1970, she started her career as staff photographer, working for the just launched Rolling Stonemagazine. In 1973, publisher Jann Wenner named Leibovitz chief photographer of Rolling Stone, a job she would hold for 10 years. Leibovitz worked for the magazine until 1983, and her intimate photographs of celebrities helped define the Rolling Stone look.^[5] While working for Rolling Stone, Leibovitz became more aware of the other magazines. Richard Avedon's portraits were an important and powerful example in her life. She learned that she could work for magazines and still create personal work, which for her was the most important. She sought intimate moments with her subjects, who "open their hearts and souls and lives to you". ^[6] She was awarded The Royal Photographic Society's Centenary Medal and Honorary Fellowship (HonFRPS) in recognition of a sustained, significant contribution to the art of photography in 2009.

In this photo she had used shallow 'Depth of Field' by having the models face in focus and the background not this draws the viewers eye to the face. The photographer has taken it on a Black and White film.

'Rule of Thirds' has been used for the composition to make the photo more diverse and to fill the frame.

Final Photos